Tag Archives: writer

Author Finds Success through Ebooks: Royalties, Publishing Deal, Even a Movie

Today I heard a story on the radio that caught my attention. It began with a story not unlike my own. A writer discussed how she’d received complementary letters from publishers and editors in response to her manuscript submissions. Although they liked her work respondents didn’t think they’d be able to market it. As this was my experience, I wanted to hear what happened.

Also like me, Karen McQuestion had been a freelance writer, and had written on a regular basis for a local newspaper. Karen loved to write. Her heart’s desire was to write novels. Karen had written several and had even had an agent. Unfortunately, she was unable to sell her books.

A year ago McQuestion began to think she’d never be a success as a novelist. When her freelance work dried up, she realized it was time to take a serious look at her options. During this time Karen learned about a writer who published his novels as e-books.  After 7,000 download the author had earned a small royalty and a publishing deal.

Karen didn’t know the basics such as how to design a book cover or determine pricing, but decided publishing on the ‘Net was worth a try. McQuestion reasoned that if her books weren’t successful she’d have lost little, and in the best case she’d make enough money to continue writing. During the next six months she uploaded six books.

The end result?

Karen McQuestion wrote on her blog: “I’ve had (to me) unbelievable success. The first few months I was stunned that anyone was actually buying and reading my books. I’d wanted it for so long that I was afraid of it all going away. Some small part of me thought that my sales would peak and then taper off to nothing. But despite my worries, my sales numbers kept growing, partially because I was adding books and also because more people were buying e-book readers.

“The best part–I got emails and reviews and comments on the message boards from readers who liked my books and were recommending them to others! Without this word of mouth I never would have had the kind of numbers I had. Some of the posters are people I now consider to be Internet friends. My world became wider, and happier too, for that matter.”

Karen’s story doesn’t end there. She’s had one of her novels optioned for film. She also was contacted by an editor who wanted to publish her books.

Karen’s success didn’t come overnight. Her love of writing kept her going. Not every writer is likely to have Karen McQuestion’s success; however, if you love writing, the process is its own reward.

Patience is the hardest part of the writer’s journey. Karen McQuestion offers advice to writers who are yearning for validation of their work through publishing:

“To other writers I say–please, keep the faith. Keep writing and improving (that’s a given, I know) and keep up with the latest news and opportunities, because you never ever know.”

What keeps me going? A commitment to the women who contributed to my book Living in the Heartland: Three Extraordinary Women’s Stories; the positive comments and support I’ve had since I released the book and it’s companion blog Living in the Heartland; and the faith that something good WILL happen.

To read stories of other extraordinary women go to Living in the Heartland.

Read how three women overcame life’s challenges on the way to success: Living in the Heartland: Three Extraordinary Women’s Stories on Amazon.com.

Click Living in the Heartland video preview.

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Filed under Amazon, blog, book, dreams, editors, frustration, hopeful, income, indie writer, job, luck, on writing, Pamela Ferris-Olson, perseverance, publishing, royalty, success, writers, writing, writing block

One Author’s Experiences in Publishingland

This second part of an interview with Kathleen O’Keefe Kanavos focuses on her experiences as an author, and her views on traditional verses self-publishing.

Kathy’s first book Surviving Cancerland: The Psychic Aspects of Healing is being shopped by NYC literary agent at Scovil, Galen & Ghosh. Kathy is currently finishing the second in her trilogy SURVIVING RECURRENCE IN CANCERLAND.

As a two-time cancer survivor Kathy saw the need for books designed to help cancer patients advocate for their successful recovery. She clearly has struck a nerve. In only 8 months on the Internet Kathy has gathered a huge.

Q. Prior to Surviving Cancerland, what was your experience as a writer?

A. Other than writing papers for high school and college classes, none. I never wanted to be a writer, but sometimes life’s occupations are like kittens, they choose you! Writing chose me.

Q. What motivated you to write the book?

A. There is almost always a point in the process of illness where logic, reason, and medical expertise fails. It’s at this point a patient slips through the cracks, sometimes never recovering.

I survived cancer—twice…I survived by using something many in the medical field do not even acknowledge as being real. My innate intuition.

Surviving Cancerland: The Psychic Aspects of Healing is my account of how I used my intuition to self-advocate a course of treatment, often against the vehement advice of my doctors, in my healing process. Always work with your doctors, but never forget you make the final decisions. I wrote my story to help others faced with this ordeal make better decisions. I don’t tell others how to survive I show them how I survived.

Q. Did you self-publish or did you choose a more conventional route? How did you decide which route to take? How long ago did this publication journey begin?

A. I went the conventional route and sought representation by a literary agent who had contacts with the large publishing houses. My publishing journey started with my second diagnosis with breast cancer. I was quite sure that my story of having the medical industry miss my cancer twice was not that unique. This was confirmed when I became a phone counselor for the Bloch Cancer Foundation and heard similar stories to mine. However, the outcome was less favorable because the patient had followed the doctor’s orders to, “Go home and come back for more tests in six months.” I wanted to teach others what tests they needed to find cancer and how to self advocate to get those tests. I also wanted to share the importance of the dream world during crisis. I searched bookstores far and wide for a book that could give me information on the day-to-day needs of patients undergoing treatment that included the dream world of crisis. I could not find any that were from a patient’s point of view. There were plenty of books written by doctors that were full of interesting scientific information, but I found them difficult to read and frankly, scary! So, I wrote one.

Q. How would you advise other writers who are considering self- vs traditional publishing?

A. Although I have not self-published I’ve been active in my husband’s self-published book Pope Annalisa. So I do have a comparison to my conventional route. Here’s the main difference, as I see it. With self-publishing, the author puts money up front to publish the book and then is responsible for the book’s distribution and the PR, and often signs away many of their rights. Most chain bookstores such as Borders, will not put self-published books on their shelves because they sell space by the inches to publishing houses. That is why most publishing houses will not publish a large book that is not written by a big money making author. They would rather place two smaller books on a shelf. Despite the fact that the self-publishing industry is growing, it still has a stigma attached to it. Most newspapers and magazines will not write reviews for it and many traditional publishing awards are closed to them. A positive note is an author planning to self-publish does not need to write query letters, book proposals, or deal with the rejections that often accompany them.

Conventional publishing requires time and money also, but in a different way. My book, Surviving Cancerland: The Psychic Aspects of Healing went through seven revisions by me and another two by a freelance editor and copy editor I hired. Most publishing houses have cut back on employees, and one of the first cuts was editors. Very few editors are kept in-house. Manuscripts sent to publishing houses must be nearly perfect. After I got my manuscript back from my content editor, I sent it and the Book Proposal and the first three chapters of my proposal to a copy-editor who works in a children’s publishing house in New York. She   made sure every sentence was perfect, and every t was crossed.. This all takes time and money. But the biggest difference is that big publishing houses pay the author money up-front in the form of an advance an advance.  They also take care of the printing and distribution to the bookstores. If you are a first time author, they are minimally helpful with PR. That is where a good platform comes into play. If you do not make back the advanced money in sales and begin collecting royalties, chances are very good that your other books will not get picked up by the publisher. Your sales record is your report card.

My advice to anyone considering self-publishing over conventional is to save self-publishing as a plan B. You can always go that route. Prepare to go the conventional route and do the hard work. Write the best manuscript you possibly can. Keep it between 70,000 and 120,000 words. Anything larger than that takes up too much space on the bookshelves. Edit it yourself many times and then hire a professional content editor to do it again twice. (This will not cost as much as self-publishing.) Most agents will not accept a manuscript that has not been edited twice. Then work on identifying your platform. Who would be interested in my book? How can I contact them? Then look for your competition on bookshelves and see how you can make your book better. Study books on query letters and proposals. Make yours stand out. Then send the proposal and the first three chapters to the editors again to perfect them before sending them to agents. Research your agents. Be sure you submit what they want and the way they want it. As the old saying goes, “Cut wood, carry water.”  Do the work.

Getting a book published is not easy no matter what road you take. But if you try the conventional route first and it just doesn’t work, it is easier to switch to plan B than to have already published and try to go with Plan A. That will be swimming upstream while doing all the work required for conventional publishing.

To read stories of other extraordinary women go to Living in the Heartland.

Read how three women overcame life’s challenges on the way to success: Living in the Heartland: Three Extraordinary Women’s Stories on Amazon.com.

Click Living in the Heartland video preview.

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